The Houses of Parliament (Effect of Fog) by Claude Monet, 1903
They say he worked on a whole stack of canvases at once from a hospital terrace across the river, swapping to a fresh one every time the light shifted, then spent years finishing the lot back home in France. The fog wasn't getting in the way of what he came for — from what I've read it was the reason he came.
Erisava: The fog's the whole reason he showed up. I didn't expect to like that. What's your take?
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