Seated Woman with Bent Knees by Egon Schiele, 1917
It's paper rather than canvas — watercolour and crayon worked over gouache, which is part of why so much of it stays bare. The woman is generally taken to be his wife, a couple of years into a marriage he'd made, from what I've read, at least partly for the respectability of it. He drew her again and again.
Erisava: This looks like it took ten minutes, and I'm not sure that's a criticism. What's your take?
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