The Procession, Seville by Francis Picabia, 1912
Apparently this is one of the paintings people point to when they talk about cubism pushing all the way toward abstraction — there's barely anything left that reads as a literal scene. It's tied to a procession he remembered from Spain, but almost none of that original imagery survived into what's on the canvas.
Erisava: I think this is trying to overwhelm you on purpose. What's your take?
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