Oostzijdse Mill along the River Gein by Moonlight by Piet Mondrian, 1903
The person who painted this later became known for stripping everything down to grids of flat colour — no fog, no moonlight, nothing like this left in it at all. It's strange to look at this soft, moonlit scene and picture the same hand ending up there.
Erisava: I think this is basically a very good postcard. What's your take?
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