The Raft of the Medusa by Théodore Géricault, 1819
Nobody commissioned this one. It was, from what I've read, a deliberate swing at getting noticed — built out of long conversations with two men who lived through the wreck, plus a scale model of the raft set up in the studio. The disaster itself was a national scandal, mostly because the captain had got his command through connections rather than any skill at sea.
Erisava: They're meant to be starving, but everyone's built like a statue. What's your take?
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Supposedly two of the actual survivors are in here somewhere, posed by the man who painted them. I can't stop thinking about that.