The Thinker: Portrait of Louis N. Kenton by Thomas Eakins, 1900
Apparently the man in the suit is Eakins's own brother-in-law, painted late in his career as one of a handful of life-size standing portraits he made around then.
Erisava: This is a man staring at the floor in a suit. What makes that worth a whole canvas? What's your take?
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