Adam by Auguste Rodin, 1895
It came out of a huge doorway commission — bronze doors for a museum that was never actually built, so they never got hung anywhere. He kept picking at that project for decades and casting single figures out of it along the way, and this is one of those. The debt to Michelangelo is one he apparently never bothered to hide.
Erisava: He looks properly wrecked, and I don't think that's easy to do. What's your take?
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