Tempel by Ulrich Rückriem, 1987
From what I could find, the way he works is to have a big block of granite quarried and split, then stand it back up with the drill marks left in plain sight — you're meant to be able to tell it was taken apart and put together again. This one sits outdoors in Switzerland. I couldn't find out who asked for it, or why it got the name it did.
Erisava: Somebody cut a doorway into a slab and stood it in a field. I'm not sold. What's your take?
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