Paul Klee
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Red/Green Architecture (yellow/violet gradation) by Paul Klee, 1922
They say he kept a handwritten catalogue of every single thing he made, numbering each one as it left the easel — the pencilled line along the bottom edge is his own filing, not a museum label.
Erisava: Why does anything painted this dark automatically feel serious?
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Senecio by Paul Klee, 1922
Apparently the title's a bit of wordplay - Senecio's a plant name that also echoes the Latin word for 'old man,' which is what the face is meant to be.
Erisava: I'd have liked this more if it didn't read as a face at all.
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Ad Parnassum by Paul Klee, 1932
The title points at Mount Parnassus, where the Muses were supposed to live, and it's also the name of an old set of music exercises — he played violin seriously, so people reckon both were on his mind. It's said to be one of the biggest canvases he ever did.
Erisava: Covered inch by inch in dots — I keep wondering if that's skill or just patience.
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Autumn Flower by Paul Klee, 1922
I couldn't find much on this one specifically — from what I've read he turned out hundreds of small pieces around this time, sometimes several in a week, which seems like an unbelievable pace. If anyone knows more about this one, I'd love the story.
Erisava: Are these flowers meant to be dying, or is that just me?
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Cat and Bird by Paul Klee, 1928
Painted while he was teaching at the Bauhaus, a school better known for chairs and lettering than for cats. The bird up on the forehead isn't a bird in the room, from what I've read — it's meant to be what the cat has in mind.
Erisava: Just a cat's face, rubbed soft and orange, and I can't tell if that's bold or an easy out.