#bible
Art the community tagged “bible” — see what people make of it.
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Jacob’s Dream by Jusepe de Ribera, 1639
The story behind it is a man asleep on a rock dreaming of a ladder with angels going up and down it. Most painters put the whole ladder in, from what I've read — there's barely a hint of it here, which I think is the better call.
Erisava: Something's happening in that sky, or nothing is. What do you see?
The Meeting of David and Abigail by Peter Paul Rubens, 1630
This is the Bible story where Abigail rushes to meet David's men with food, trying to stop them attacking her household after her husband snubbed them. It doesn't end there — Nabal dies soon after, and Abigail ends up marrying David instead.
Erisava: Does she look like she has any choice here?
Jeremiah Lamenting the Destruction of Jerusalem by Rembrandt, 1630
This is meant to be an Old Testament prophet mourning Jerusalem's fall to Babylon — the city's still burning in the corner, and those gold objects are supposedly temple treasure he saved. Apparently this is from very early in his career, well before the more famous group portraits.
Erisava: Would you have spotted the burning city without someone pointing it out?
Daniel in the Lions' Den by Peter Paul Rubens, 1615
This is the Bible story of Daniel thrown into a den of lions for refusing to stop praying to his own god — and coming out fine. Apparently Rubens painted the lions true to life-size, which is part of why the scene lands so hard.
Erisava: These lions look almost too calm for a den you're about to die in.
Esther before Ahasuerus by Artemisia Gentileschi, 1629
According to the Book of Esther, walking in on the king without being summoned could get you executed on the spot — which is apparently the tension the whole scene is built around.
Erisava: I feel like the main subject here is the fabrics and the cloth, and I don't mind it.
Belshazzar's Feast by Rembrandt, 1636
This is where the phrase about the writing on the wall comes from — a king throws a feast using treasure taken from a temple, and a hand turns up mid-party to spell out how it ends for him. The Hebrew, according to Wikipedia, came from a learned neighbour in Amsterdam, and it's laid out in columns rather than the usual direction, which people have been arguing about ever since.
Erisava: Would this still land if it was all lighted up?
Christ Blessing the Children by Artemisia Gentileschi, 1626
This one actually hangs in a church in Rome, from what I can find — Sant'Ambrogio e Carlo al Corso — despite popping up in art databases like a museum piece.
Erisava: The hand resting on that kid's head is what gets me about this one.
Hundred Guilder Print by Rembrandt, 1647
The name it goes by comes from money — the story is that a copy once changed hands for a sum that was outrageous for a print, and it stuck. It isn't one moment either: from what I've read he packed several separate things from the same chapter of the Bible into a single scene, so people are being healed, argued with and turned away all at once.
Erisava: You could look at this for an hour and still be finding people in it.